"It seems to me you spend a good deal of time in the element you disapprove of."Well--what had brought him there but the quest of her? It was her element, not his. But he would lift her out of it, take her beyond! That BEYOND! on her letter was like a cry for rescue. He knew that Perseus's task is not done when he has loosed Andromeda's chains, for her limbs are numb with bondage, and she cannot rise and walk, but clings to him with dragging arms as he beats back to land with his burden. Well, he had strength for both--it was her weakness which had put the strength in him. It was not, alas, a clean rush of waves they had to win through, but a clogging morass of old associations and habits, and for the moment its vapours were in his throat. But he would see clearer, breathe freer in her presence: she was at once the dead weight at his breast and the spar which should float them to safety. He smiled at the whirl of metaphor with which he was trying to build up a defence against the influences of the last hour. It was pitiable that he, who knew the mixed motives on which social judgments depend, should still feel himself so swayed by them. How could he lift Lily to a freer vision of life, if his own view of her was to be coloured by any mind in which he saw her reflected?
The moral oppression had produced a physical craving for air, and he strode on, opening his lungs to the reverberating coldness of the night. At the corner of Fifth Avenue Van Alstyne hailed him with an offer of company.
"Walking? A good thing to blow the smoke out of one's head. Now that women have taken to tobacco we live in a bath of nicotine.
It would be a curious thing to study the effect of cigarettes on the relation of the ***es. Smoke is almost as great a solvent as divorce: both tend to obscure the moral issue."Nothing could have been less consonant with Selden's mood than Van Alstyne's after-dinner aphorisms, but as long as the latter confined himself to generalities his listener's nerves were in control. Happily Van Alstyne prided himself on his summing up of social aspects, and with Selden for audience was eager to show the sureness of his touch. Mrs. Fisher lived in an East side street near the Park, and as the two men walked down Fifth Avenue the new architectural developments of that versatile thoroughfare invited Van Alstyne's comment.
"That Greiner house, now--a typical rung in the social ladder!
The man who built it came from a MILIEU where all the dishes are put on the table at once. His facade is a complete architectural meal; if he had omitted a style his friends might have thought the money had given out. Not a bad purchase for Rosedale, though: attracts attention, and awes the Western sight-seer. By and bye he'll get out of that phase, and want something that the crowd will pass and the few pause before. Especially if he marries my clever cousin---"Selden dashed in with the query: "And the Wellington Brys'?
Rather clever of its kind, don't you think?"
They were just beneath the wide white facade, with its rich restraint of line, which suggested the clever corseting of a redundant figure.
"That's the next stage: the desire to imply that one has been to Europe, and has a standard. I'm sure Mrs. Bry thinks her house a copy of the TRIANON; in America every marble house with gilt furniture is thought to be a copy of the TRIANON. What a clever chap that architect is, though--how he takes his client's measure! He has put the whole of Mrs. Bry in his use of the composite order. Now for the Trenors, you remember, he chose the Corinthian: exuberant, but based on the best precedent. The Trenor house is one of his best things--doesn't look like a banqueting-hall turned inside out. I hear Mrs. Trenor wants to build out a new ball-room, and that divergence from Gus on that point keeps her at Bellomont. The dimensions of the Brys' ball-room must rankle: you may be sure she knows 'em as well as if she'd been there last night with a yard-measure. Who said she was in town, by the way? That Farish boy? She isn't, I know; Mrs.
Stepney was right; the house is dark, you see: I suppose Gus lives in the back."He had halted opposite the Trenors' comer, and Selden perforce stayed his steps also. The house loomed obscure and uninhabited;only an oblong gleam above the door spoke of provisional occupancy.
"They've bought the house at the back: it gives them a hundred and fifty feet in the side street. There's where the ball-room's to be, with a gallery connecting it: billiard-room and so on above. I suggested changing the entrance, and carrying the drawing-room across the whole Fifth Avenue front; you see the front door corresponds with the windows---"The walking-stick which Van Alstyne swung in demonstration dropped to a startled "Hallo!" as the door opened and two figures were seen silhouetted against the hall-light. At the same moment a hansom halted at the curb-stone, and one of the figures floated down to it in a haze of evening draperies; while the other, black and bulky, remained persistently projected against the light.
For an immeasurable second the two spectators of the incident were silent; then the house-door closed, the hansom rolled off, and the whole scene slipped by as if with the turn of a stereopticon.
Van Alstyne dropped his eye-glass with a low whistle.
"A--hem--nothing of this, eh, Selden? As one of the family, Iknow I may count on you--appearances are deceptive--and Fifth Avenue is so imperfectly lighted---""Goodnight," said Selden, turning sharply down the side street without seeing the other's extended hand.
