"Another lion gave another roar, And the first lion thought the last a bore."The popularity of "Eothen" is a paradox: it fascinates by violating all the rules which convention assigns to viatic narrative. It traverses the most affecting regions of the world, and describes no one of them: the Troad - and we get only his childish raptures over Pope's "Homer's Iliad"; Stamboul - and he recounts the murderous services rendered by the Golden Horn to the Assassin whose SERAIL, palace, council chamber, it washes; Cairo - but the Plague shuts out all other thoughts; Jerusalem - but Pilgrims have vulgarized the Holy Sepulchre into a Bartholomew Fair. He gives us everywhere, not history, antiquities, geography, description, statistics, but only KINGLAKE, only his own sensations, thoughts, experiences. We are told not what the desert looks like, but what journeying in the desert feels like. From morn till eve you sit aloft upon your voyaging camel; the risen sun, still lenient on your left, mounts vertical and dominant; you shroud head and face in silk, your skin glows, shoulders ache, Arabs moan, and still moves on the sighing camel with his disjointed awkward dual swing, till the sun once more descending touches you on the right, your veil is thrown aside, your tent is pitched, books, maps, cloaks, toilet luxuries, litter your spread-out rugs, you feast on scorching toast and "fragrant" tea, sleep sound and long; then again the tent is drawn, the comforts packed, civilization retires from the spot she had for a single night annexed, and the Genius of the Desert stalks in.
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一个丞相之女,嫁给一个生性多疑的冷王,她大婚当日,洞房夜被夫君打入冷宫。她却在冷宫中逍遥自在,落个快活,三番五次的去调戏冷王,却自取其辱。本以为和那妖孽冷王,井水不犯河水,却不想他爱上了她。突然对她宠爱有加,夜夜纠缠,怀身孕后却发现他的惊天阴谋!当她怀了他的骨肉时,她的身份却突然改变,和她的夫君成了不共戴天的仇人,她又该何去何从呢?