登陆注册
26558500000029

第29章 NEOPLATONISM(7)

These contradictions need not lower the great Father of Neoplatonism in our eyes, as a moral being. All accounts of him seem to prove him to have been what Apollo, in a lengthy oracle, declared him to have been, "good and gentle, and benignant exceedingly, and pleasant in all his conversation." He gave good advice about earthly matters, was a faithful steward of moneys deposited with him, a guardian of widows and orphans, a righteous and loving man. In his practical life, the ascetic and gnostic element comes out strongly enough. The body, with him, was not evil, neither was it good; it was simply nothing--why care about it?

He would have no portrait taken of his person: "It was humiliating enough to be obliged to carry a shadow about with him, without having a shadow made of that shadow." He refused animal food, abstained from baths, declined medicine in his last illness, and so died about 200 A.D.

It is in his followers, as one generally sees in such cases, that the weakness of his conceptions comes out. Plotinus was an earnest thinker, slavishly enough reverencing the opinion of Plato, whom he quotes as an infallible oracle, with a "He says," as if there were but one he in the universe: but he tried honestly to develop Plato, or what he conceived to be Plato, on the method which Plato had laid down. His dialectic is far superior, both in quantity and in quality, to that of those who come after him. He is a seeker. His followers are not. The great work which marks the second stage of his school is not an inquiry, but a justification, not only of the Egyptian, but of all possible theurgies and superstitions; perhaps the best attempt of the kind which the world has ever seen; that which marks the third is a mere cloud-castle, an inverted pyramid, not of speculation, but of dogmatic assertion, patched together from all accessible rags and bones of the dead world. Some here will, perhaps, guess from my rough descriptions, that I speak of Iamblichus and Proclus.

Whether or not Iamblichus wrote the famous work usually attributed to him, which describes itself as the letter of Abamnon the Teacher to Porphyry, he became the head of that school of Neoplatonists who fell back on theurgy and magic, and utterly swallowed up the more rational, though more hopeless, school of Porphyry. Not that Porphyry, too, with all his dislike of magic and the vulgar superstitions--a dislike intimately connected with his loudly expressed dislike of the common herd, and therefore of Christianity, as a religion for the common herd--did not believe a fact or two, which looks to us, nowadays, somewhat unphilosophical. From him we learn that one Ammonius, trying to crush Plotinus by magic arts, had his weapons so completely turned against himself, that all his limbs were contracted. From him we learn that Plotinus, having summoned in the temple of Isis his familiar spirit, a god, and not a mere daemon, appeared. He writes sensibly enough however to one Anebos, an Egyptian priest, stating his doubts as to the popular notions of the Gods, as beings subject to human passions and vices, and of theurgy and magic, as material means of compelling them to appear, or alluring them to favour man. The answer of Abamnon, Anebos, Iamblichus, or whoever the real author may have been, is worthy of perusal by every metaphysical student, as a curious phase of thought, not confined to that time, but rife, under some shape or other, in every age of the world's history, and in this as much as in any. There are many passages full of eloquence, many more full of true and noble thought: but on the whole, it is the sewing of new cloth into an old garment; the attempt to suit the old superstition to the new one, by eclectically picking and choosing, and special pleading, on both sides; but the rent is only made worse. There is no base superstition which Abamnon does not unconsciously justify. And yet he is rapidly losing sight of the real eternal human germs of truth round which those superstitions clustered, and is really further from truth and reason than old Homer or Hesiod, because further from the ******, universal, everyday facts, and relations, and duties of man, which are, after all, among the most mysterious, and also among the most sacred objects which man can contemplate.

It was not wonderful, however, that Neoplatonism took the course it did.

Spirit, they felt rightly, was meant to rule matter; it was to be freed from matter only for that very purpose. No one could well deny that.

The philosopher, as he rose and became, according to Plotinus, a god, or at least approached toward the gods, must partake of some mysterious and transcendental power. No one could well deny that conclusion, granting the premiss. But of what power? What had he to show as the result of his intimate communion with an unseen Being? The Christian Schools, who held that the spiritual is the moral, answered accordingly. He must show righteousness, and love, and peace in a Holy Spirit. That is the likeness of God. In proportion as a man has them, he is partaker of a Divine nature. He can rise no higher, and he needs no more. Platonists had said--No, that is only virtue; and virtue is the means, not the end.

同类推荐
热门推荐
  • 西风变

    西风变

    有没有搞错?怎么想死都这么难啊?好好地跳个楼都能穿越!可问题是你能不能让我好好穿?凭什么人家别人穿越就要么是古代,要么是未来的。而轮到了我就是穿到外星去了?搞什么鬼?这里竟然有周、秦、汉、隋、唐、宋、元、明、清、东海十个国家,我到底是穿到哪来了?算了,反正穿都穿了,那就这么过吧。。。
  • 系统异界游

    系统异界游

    一个从天才变成废物的家族子弟,在大马路上偶然被一个天外石头给砸的头破血流,谁想既然意外的融合了系统,他今后的生活会发生什么变化!
  • 治愈系恐怖游戏

    治愈系恐怖游戏

    在这个金手指盛行的年代,你想成为强者么?没错,别人不给你金手指,你自己给自己开。为什么恐怖片里就一定要被怪物追杀满世界跑,只要我知道BUG,你这怪物只能被我逆袭!为什么异形,贞子就一定是无敌的?看我利用你们的弱点把你们虐死!为什么恐怖片一定要很恐怖,错了,当你够强了,这些恐怖片能在一群逗比的演绎下变成搞笑片!所以,这是一部治愈系的恐怖电影大穿越,其实,就是送给一群喜欢看恐怖片却不敢看的人们!全民吐槽的年代,无限恐怖也该吐槽般的写!看起来很牛的内容简介,其实就是一群逗比玩的无限流游戏!
  • 我和王小菊

    我和王小菊

    小说写了两个王小菊之间的故事,一个真实的王小菊和一个臆想中的王小菊,写了她们的生活、爱情、工作、友情等光怪陆离的场景。它的故事是肢解的但又是内在连续的。作者用亦庄亦谐语的笔调向读者展示了中国当代都市特有的不在此也不在彼、不在身体也不在精神的言说方式,表达了我们在现实世界世界中内心的挣扎。小说家以成熟的体验和精准的感觉,击中了“我”和“王小菊”不可理喻的日常生活和触摸不到的荒凉内心。在她们身上,精神压抑与心灵反省的力量已经被消解为兴高采烈的荒唐游戏和不明其详的四处碰壁,随意拼贴的游戏缺乏根基,躁动的热情更无力抵达生存的内幕,经历了一番挣扎,她们最终达到的只是被物化和虚化了的人对沉重现实的逃避(不是解脱,更不是解放),是一种麻木和无所谓,虽然也有眼泪和伤感,但更多的却是随波逐流的冷漠和淡然。尊敬的书友,本书选载最精华部分供您阅读。留足悬念,同样精彩!
  • 腹黑少爷之丫头我来也

    腹黑少爷之丫头我来也

    一个是打酱油的前男友——刘成一个是为自己甘愿付出的朋友——金晨一个是腹黑的代言人——郁子言还有一个不速之客——宫泽四大美男齐聚一堂,一场乌龙游戏就此展开。“感谢创世书评团提供论坛书评支持”
  • 重生之带着空间闯异界

    重生之带着空间闯异界

    在二十一世纪被逼婚的大龄剩女因为意外命丧车轮之下再次睁开眼睛的时候却发现自己来到了一个神奇的所在光怪陆离的异世界大陆又怎么样?!能够再活一次,我更要活出个自己来。更何况,咱身边可是带着个空间作弊器啊!看咱们女汉子养养小异兽顺便种种田打打怪如何在异界混个风生水起。
  • 不说再见的告别

    不说再见的告别

    很多时候我们把再见说成了再也不见,命运兜兜转转,曾经的不辞而别到今天的不期而遇,久别重逢的喜悦和突如其来的幸福,让人们眩晕!隔着玻璃窗的风景,离现实太遥远。玻璃窗外的风,永远吹不灭屋内的蜡烛!有些事情可以原谅,可是有些事情却是烙刻在心里最狠的伤疤,也许曾经不说再见的告别才是最好的结局。
  • 女配记录

    女配记录

    江郎才尽的写手童云为了回到原来的世界,一次次的穿越自己曾写过得文中!然而她穿的是女配。
  • EXO之LuckFairy

    EXO之LuckFairy

    额。。简介:可好看,写的很不容易,嗯,就这样。EXO和女主的爱恨情仇,有虐有甜!
  • 一块木板

    一块木板

    方达明,在文学期刊发表中短篇小说几十篇。短篇小说《出走》获第八届美国新语丝文学奖三等奖。小说《婶婶》获第九届美国新语丝文学奖,短篇小说《我的土豆》获第四届林语堂文学创作奖。短篇小说《气球》获台湾第33届联合报文学奖小说评审奖。