At that moment of silent devotion, no one took any notice of a lady who crossed the threshold a few seconds after the rabbi had entered.
She was a tall, superb creature of wonderful beauty. Her black hair, her glowing eyes, her finely-curved nose, the whole shape of her face imparted to her some resemblance to Fanny Itzig, the banker's beautiful daughter, and indicated that she belonged likewise to the people who, scattered over the whole world, have with unshaken fidelity and constancy preserved everywhere their type and habits.
And yet, upon examining the charming stranger somewhat more closely, it became evident that she bore no resemblance either to Fanny or to her sisters. Hers was a strange and peculiar style of beauty, irresistibly attractive and chilling at the same time--a tall, queenly figure, wrapped in a purple velvet dress, fastened under her bosom by a golden sash. Her shoulders, dazzling white, and of a truly classical shape, were bare; her short ermine mantilla had slipped from them and hung gracefully on her beautiful, well-rounded arms, on which magnificent diamond bracelets were glittering. Her black hair fell down in long, luxuriant ringlets on both sides of her transparent, pale cheeks, and was fastened in a knot by means of several large diamond pins. A diamond of the most precious brilliants crowned her high and thoughtful forehead.
She looked as proud and glorious as a queen, and there was something haughty, imperious, and cold in the glance with which she now slowly and searchingly surveyed the large room.
"Tell me," whispered Baron Arnstein, bending over Fanny Itzig, "who is the beautiful lady now standing near the door?"
"Oh!" exclaimed Fanny, joyfully, "she has come after all. We scarcely dared to hope for her arrival. It is Marianne Meier."
"What! Marianne Meier?" asked Baron Arnstein. "The celebrated beauty whom Goethe has loved--for whom the Swedish ambassador at Berlin, Baron Bernstein, has entertained so glowing a passion, and suffered so much--and who is now the mistress of the Austrian minister, the Prince von Reuss?"
"Hush, for Heaven's sake, hush!" whispered Fanny. "She is coming toward us."
And Fanny went to meet the beautiful lady. Marianne gently inclined her head and kissed Fanny with the dignified bearing of a queen.
"I have come to congratulate you and your sisters," she said, in a sonorous, magnificent alto voice. "I wanted to see how beautiful you looked, and whether your betrothed was worthy of possessing you or not."
Fanny turned round to beckon Baron Arnstein to join them, but he had just left with the rabbi and the other officers of the synagogue.
The ladies were now alone, for the ceremony was about to begin. And now the women entered, whose duty it was to raise loud lamentations and weep over the fate of the brides who were about to leave the parental roof and to follow their husbands. They spread costly carpets at the feet of the brides, who were sitting on armchairs among the assembled ladies, and strewing flowers on these carpets, they muttered, sobbing and weeping, ancient Hebrew hymns. The mother stood behind them with trembling lips, and, raising her tearful eyes toward heaven. The door was opened, and the ***ton in a long robe, his white beard flowing down on his breast, appeared, carrying in his hand a white cushion with three splendid lace veils. He was followed by Mr. Itzig, the father of the three brides. Taking the veils from the cushion, and muttering prayers all the while, he laid them on the heads of his daughters so that their faces and bodies seemed to be surrounded by a thin and airy mist. And the mourning- women sobbed, and two tears rolled over the pale cheeks of the deeply-moved mother. The two men withdrew silently, and the ladies were alone again.
But now, in the distance, the heart-stirring sounds of a choir of sweet, sonorous children's voices were heard. How charming did these voices reecho through the room! They seemed to call the brides, and, as if fascinated by the inspiring melody, they slowly rose from their seats. Their mother approached the eldest sister and offered her hand to her. Two of the eldest ladies took the hands of the younger sisters. The other ladies and the mourning-women formed in pairs behind them, and then the procession commenced moving in the direction of the inviting notes of the anthem. Thus they crossed the rooms--nearer and nearer came the music--and finally, on passing through the last door, the ladies stepped into a long hall, beautifully decorated with flowers and covered with a glass roof through which appeared the deep, transparent azure of the wintry sky. In the centre of this hall there arose a purple canopy with golden tassels. The rabbi, praying and with uplifted hands, was standing under it with the three bridegrooms. The choir of the singers, hidden behind flowers and orange-trees, grew louder and louder, and to this jubilant music the ladies conducted the brides to the canopy, and the ceremony commenced.
When it was concluded, when the veils were removed from the heads of the brides so that they could now look freely into the world, the whole party returned to the parlor, and brides and bridegrooms received the congratulations of their friends.
Fanny and Marianne Meier were chatting in a bay-window at some distance from the rest of the company. They were standing there, arm in arm--Fanny in her white bridal costume, like a radiant lily, and Marianne in her purple dress, resembling the peerless queen of flowers.
"You are going to leave Berlin to-day with your husband?" asked Marianne.
"We leave in an hour," said Fanny, sighing.
Marianne had heard this sigh. "Do you love your husband?" she asked, hastily.
"I have seen him only twice," whispered Fanny.
A sarcastic smile played on Marianne's lips. "Then they have simply sold you to him like a slave-girl to a wealthy planter," she said.
