"D'you know what time it is?" she said at length, and shook her pillow, as if ****** ready for sleep.
Cassandra rose obediently, and once more took up her candle. Perhaps the white dressing-gown, and the loosened hair, and something unseeing in the expression of the eyes gave her a likeness to a woman walking in her sleep. Katharine, at least, thought so.
"There's no reason why I should go home, then?" Cassandra said, pausing. "Unless you want me to go, Katharine? What DO you want me to do?"For the first time their eyes met.
"You wanted us to fall in love," Cassandra exclaimed, as if she read the certainty there. But as she looked she saw a sight that surprised her. The tears rose slowly in Katharine's eyes and stood there, brimming but contained--the tears of some profound emotion, happiness, grief, renunciation; an emotion so complex in its nature that to express it was impossible, and Cassandra, bending her head and receiving the tears upon her cheek, accepted them in silence as the consecration of her love.
"Please, miss," said the maid, about eleven o'clock on the following morning, "Mrs. Milvain is in the kitchen."A long wicker basket of flowers and branches had arrived from the country, and Katharine, kneeling upon the floor of the drawing-room, was sorting them while Cassandra watched her from an arm-chair, and absent-mindedly made spasmodic offers of help which were not accepted.
The maid's message had a curious effect upon Katharine.
She rose, walked to the window, and, the maid being gone, said emphatically and even tragically:
"You know what that means."
Cassandra had understood nothing.
"Aunt Celia is in the kitchen," Katharine repeated.
"Why in the kitchen?" Cassandra asked, not unnaturally.
"Probably because she's discovered something," Katharine replied.
Cassandra's thoughts flew to the subject of her preoccupation.
"About us?" she inquired.
"Heaven knows," Katharine replied. "I shan't let her stay in the kitchen, though. I shall bring her up here."The sternness with which this was said suggested that to bring Aunt Celia upstairs was, for some reason, a disciplinary measure.
"For goodness' sake, Katharine," Cassandra exclaimed, jumping from her chair and showing signs of agitation, "don't be rash. Don't let her suspect. Remember, nothing's certain--"Katharine assured her by nodding her head several times, but the manner in which she left the room was not calculated to inspire complete confidence in her diplomacy.
Mrs. Milvain was sitting, or rather perching, upon the edge of a chair in the servants' room. Whether there was any sound reason for her choice of a subterranean chamber, or whether it corresponded with the spirit of her quest, Mrs. Milvain invariably came in by the back door and sat in the servants' room when she was engaged in confidential family transactions. The ostensible reason she gave was that neither Mr. nor Mrs. Hilbery should be disturbed. But, in truth, Mrs. Milvain depended even more than most elderly women of her generation upon the delicious emotions of intimacy, agony, and secrecy, and the additional thrill provided by the basement was one not lightly to be forfeited.
She protested almost plaintively when Katharine proposed to go upstairs.
"I've something that I want to say to you in PRIVATE," she said, hesitating reluctantly upon the threshold of her ambush.
"The drawing-room is empty--"
"But we might meet your mother upon the stairs. We might disturb your father," Mrs. Milvain objected, taking the precaution to speak in a whisper already.
But as Katharine's presence was absolutely necessary to the success of the interview, and as Katharine obstinately receded up the kitchen stairs, Mrs. Milvain had no course but to follow her. She glanced furtively about her as she proceeded upstairs, drew her skirts together, and stepped with circumspection past all doors, whether they were open or shut.
"Nobody will overhear us?" she murmured, when the comparative sanctuary of the drawing-room had been reached. "I see that I have interrupted you," she added, glancing at the flowers strewn upon the floor. A moment later she inquired, "Was some one sitting with you?"noticing a handkerchief that Cassandra had dropped in her flight.
"Cassandra was helping me to put the flowers in water," said Katharine, and she spoke so firmly and clearly that Mrs. Milvain glanced nervously at the main door and then at the curtain which divided the little room with the relics from the drawing-room.
"Ah, Cassandra is still with you," she remarked. "And did William send you those lovely flowers?"Katharine sat down opposite her aunt and said neither yes nor no. She looked past her, and it might have been thought that she was considering very critically the pattern of the curtains. Another advantage of the basement, from Mrs. Milvain's point of view, was that it made it necessary to sit very close together, and the light was dim compared with that which now poured through three windows upon Katharine and the basket of flowers, and gave even the slight angular figure of Mrs. Milvain herself a halo of gold.
"They're from Stogdon House," said Katharine abruptly, with a little jerk of her head.
Mrs. Milvain felt that it would be easier to tell her niece what she wished to say if they were actually in physical contact, for the spiritual distance between them was formidable. Katharine, however, made no overtures, and Mrs. Milvain, who was possessed of rash but heroic courage, plunged without preface:
"People are talking about you, Katharine. That is why I have come this morning. You forgive me for saying what I'd much rather not say? What I say is only for your own sake, my child.""There's nothing to forgive yet, Aunt Celia," said Katharine, with apparent good humor.
