In the present scenes her fancy often gave her the figure of Valancourt, whom she saw on a point of the cliffs, gazing with awe and admiration on the imagery around him; or wandering pensively along the vale below, frequently pausing to look back upon the scenery, and then, his countenance glowing with the poet's fire, pursuing his way to some overhanging heights.When she again considered the time and the distance that were to separate them, that every step she now took lengthened this distance, her heart sunk, and the surrounding landscape charmed her no more.
The travellers, passing Novalesa, reached, after the evening had closed, the small and antient town of Susa, which had formerly guarded this pass of the Alps into Piedmont.The heights which command it had, since the invention of artillery, rendered its fortifications useless; but these romantic heights, seen by moon-light, with the town below, surrounded by its walls and watchtowers, and partially illumined, exhibited an interesting picture to Emily.
Here they rested for the night at an inn, which had little accommodation to boast of; but the travellers brought with them the hunger that gives delicious flavour to the coarsest viands, and the weariness that ensures repose; and here Emily first caught a strain of Italian music, on Italian ground.As she sat after supper at a little window, that opened upon the country, observing an effect of the moon-light on the broken surface of the mountains, and remembering that on such a night as this she once had sat with her father and Valancourt, resting upon a cliff of the Pyrenees, she heard from below the long-drawn notes of a violin, of such tone and delicacy of expression, as harmonized exactly with the tender emotions she was indulging, and both charmed and surprised her.
Cavigni, who approached the window, smiled at her surprise.'This is nothing extraordinary,' said he, 'you will hear the same, perhaps, at every inn on our way.It is one of our landlord's family who plays, I doubt not,' Emily, as she listened, thought he could be scarcely less than a professor of music whom she heard; and the sweet and plaintive strains soon lulled her into a reverie, from which she was very unwillingly roused by the raillery of Cavigni, and by the voice of Montoni, who gave orders to a servant to have the carriages ready at an early hour on the following morning; and added, that he meant to dine at Turin.
Madame Montoni was exceedingly rejoiced to be once more on level ground; and, after giving a long detail of the various terrors she had suffered, which she forgot that she was describing to the companions of her dangers, she added a hope, that she should soon be beyond the view of these horrid mountains, 'which all the world,'
said she, 'should not tempt me to cross again.' Complaining of fatigue she soon retired to rest, and Emily withdrew to her own room, when she understood from Annette, her aunt's woman, that Cavigni was nearly right in his conjecture concerning the musician, who had awakened the violin with so much taste, for that he was the son of a peasant inhabiting the neighbouring valley.'He is going to the Carnival at Venice,' added Annette, 'for they say he has a fine hand at playing, and will get a world of money; and the Carnival is just going to begin: but for my part, I should like to live among these pleasant woods and hills, better than in a town; and they say Ma'moiselle, we shall see no woods, or hills, or fields, at Venice, for that it is built in the very middle of the sea.'
Emily agreed with the talkative Annette, that this young man was ****** a change for the worse, and could not forbear silently lamenting, that he should be drawn from the innocence and beauty of these scenes, to the corrupt ones of that voluptuous city.
When she was alone, unable to sleep, the landscapes of her native home, with Valancourt, and the circumstances of her departure, haunted her fancy; she drew pictures of social happiness amidst the grand simplicity of nature, such as she feared she had bade farewel to for ever; and then, the idea of this young Piedmontese, thus ignorantly sporting with his happiness, returned to her thoughts, and, glad to escape awhile from the pressure of nearer interests, she indulged her fancy in composing the following lines.
THE PIEDMONTESE
Ah, merry swain, who laugh'd along the vales, And with your gay pipe made the mountains ring, Why leave your cot, your woods, and thymy gales, And friends belov'd, for aught that wealth can bring?
He goes to wake o'er moon-light seas the string, Venetian gold his untaught fancy hails!
Yet oft of home his ****** carols sing, And his steps pause, as the last Alp he scales.
Once more he turns to view his native scene--Far, far below, as roll the clouds away, He spies his cabin 'mid the pine-tops green, The well-known woods, clear brook, and pastures gay;And thinks of friends and parents left behind, Of sylvan revels, dance, and festive song;And hears the faint reed swelling in the wind;And his sad sighs the distant notes prolong!
Thus went the swain, till mountain-shadows fell, And dimm'd the landscape to his aching sight;And must he leave the vales he loves so well!
Can foreign wealth, and shows, his heart delight?
No, happy vales! your wild rocks still shall hear His pipe, light sounding on the morning breeze;Still shall he lead the flocks to streamlet clear, And watch at eve beneath the western trees.
Away, Venetian gold--your charm is o'er!
And now his swift step seeks the lowland bow'rs, Where, through the leaves, his cottage light ONCE MOREGuides him to happy friends, and jocund hours.
Ah, merry swain! that laugh along the vales, And with your gay pipe make the mountains ring, Your cot, your woods, your thymy-scented gales--And friends belov'd--more joy than wealth can bring!
