Marlow emerged out of the shadow of the book-case to get himself a cigar from a box which stood on a little table by my side. In the full light of the room I saw in his eyes that slightly mocking expression with which he habitually covers up his sympathetic impulses of mirth and pity before the unreasonable complications the idealism of mankind puts into the ****** but poignant problem of conduct on this earth.
He selected and lit the cigar with affected care, then turned upon me, I had been looking at him silently.
"I suppose," he said, the mockery of his eyes giving a pellucid quality to his tone, "that you think it's high time I told you something definite. I mean something about that psychological cabin mystery of discomfort (for it's obvious that it must be psychological) which affected so profoundly Mr. Franklin the chief mate, and had even disturbed the serene innocence of Mr. Powell, the second of the ship Ferndale, commanded by Roderick Anthony--the son of the poet, you know.""You are going to confess now that you have failed to find it out,"I said in pretended indignation.
"It would serve you right if I told you that I have. But I won't.
I haven't failed. I own though that for a time, I was puzzled.
However, I have now seen our Powell many times under the most favourable conditions--and besides I came upon a most unexpected source of information . . . But never mind that. The means don't concern you except in so far as they belong to the story. I'll admit that for some time the old-maiden-lady-like occupation of putting two and two together failed to procure a coherent theory. Iam speaking now as an investigator--a man of deductions. With what we know of Roderick Anthony and Flora de Barral I could not deduct an ordinary marital quarrel beautifully matured in less than a year--could I? If you ask me what is an ordinary marital quarrel I will tell you, that it is a difference about nothing; I mean, these nothings which, as Mr. Powell told us when we first met him, shore people are so prone to start a row about, and nurse into hatred from an idle sense of wrong, from perverted ambition, for spectacular reasons too. There are on earth no actors too humble and obscure not to have a gallery; that gallery which envenoms the play by stealthy jeers, counsels of anger, amused comments or words of perfidious compassion. However, the Anthonys were free from all demoralizing influences. At sea, you know, there is no gallery.
You hear no tormenting echoes of your own littleness there, where either a great elemental voice roars defiantly under the sky or else an elemental silence seems to be part of the infinite stillness of the universe.
Remembering Flora de Barral in the depths of moral misery, and Roderick Anthony carried away by a gust of tempestuous tenderness, Iasked myself, Is it all forgotten already? What could they have found to estrange them from each other with this rapidity and this thoroughness so far from all temptations, in the peace of the sea and in an isolation so complete that if it had not been the jealous devotion of the sentimental Franklin stimulating the attention of Powell, there would have been no record, no evidence of it at all.
I must confess at once that it was Flora de Barral whom I suspected.
In this world as at present organized women are the suspected half of the population. There are good reasons for that. These reasons are so discoverable with a little reflection that it is not worth my while to set them out for you. I will only mention this: that the part falling to women's share being all "influence" has an air of occult and mysterious action, something not altogether trustworthy like all natural forces which, for us, work in the dark because of our imperfect comprehension.
If women were not a force of nature, blind in its strength and capricious in its power, they would not be mistrusted. As it is one can't help it. You will say that this force having been in the person of Flora de Barral captured by Anthony . . . Why yes. He had dealt with her masterfully. But man has captured electricity too.
It lights him on his way, it warms his home, it will even cook his dinner for him--very much like a woman. But what sort of conquest would you call it? He knows nothing of it. He has got to be mighty careful what he is about with his captive. And the greater the demand he makes on it in the exultation of his pride the more likely it is to turn on him and burn him to a cinder . . . ""A far-fetched enough parallel," I observed coldly to Marlow. He had returned to the arm-chair in the shadow of the bookcase. "But accepting the meaning you have in your mind it reduces itself to the knowledge of how to use it. And if you mean that this ravenous Anthony--""Ravenous is good," interrupted Marlow. "He was a-hungering and a-thirsting for femininity to enter his life in a way no mere feminist could have the slightest conception of. I reckon that this accounts for much of Fyne's disgust with him. Good little Fyne. You have no idea what infernal mischief he had worked during his call at the hotel. But then who could have suspected Anthony of being a heroic creature. There are several kinds of heroism and one of them at least is idiotic. It is the one which wears the aspect of sublime delicacy. It is apparently the one of which the son of the delicate poet was capable.
He certainly resembled his father, who, by the way, wore out two women without any satisfaction to himself, because they did not come up to his supra-refined standard of the delicacy which is so perceptible in his verses. That's your poet. He demands too much from others. The inarticulate son had set up a standard for himself with that need for embodying in his conduct the dreams, the passion, the impulses the poet puts into arrangements of verses, which are dearer to him than his own self--and may make his own self appear sublime in the eyes of other people, and even in his own eyes.
