That early and more ****** age considered alike the necessities of all ranks, anddepicted the symbols of good cheer so as to be obvious to all capacities; well judging that a man who could not read a syllable might nevertheless love a pot of good ale as well as his better-educated neighbours, or even as the parson himself.
Acting upon this liberal principle, publicans as yet hung forth the painted emblems of their calling, and sign-painters, if they seldom feasted, did not at least absolutely starve.
To a worthy of this decayed profession, as we have already intimated, **** Tinto became an assistant; and thus, as is not unusual among heaven-born geniuses in this department of the fine arts, began to paint before he had any notion of drawing.
His talent for observing nature soon induced him to rectify the errors, adn soar above the instructions, of his teacher. He particularly shone in painting horses, that being a favourite sign in the Scottish villages; and, in tracing his progress, it is beautiful to observe how by degrees he learned to shorten the backs and prolong the legs of these noble animals, until they came to look less like crocodiles, and more like nags.
Detraction, which always pursues merit with strides proportioned to its advancement, has indeed alleged that **** once upon a time painted a horse with five legs, instead of four. I might have rested his defence upon the license allowed to that branch of his profession, which, as it permits all sorts of singular and irregular combinations, may be allowed to extend itself so far as to bestow a limb supernumerary on a favourite subject. But the cause of a deceased friend is sacred; and I disdain to bottom it so superficially. I have visited the sign in question, which yet swings exalted in the village of Langdirdum; and I am ready to depone upon the oath that what has been idly mistaken or misrepresented as being the fifth leg of the horse, is, in fact, the tail of that quadruped, and, considered with reference to the posture in which he is delineated, forms a circumstance introduced and managed with great and successful, though daring, art. The nag being represented in a rampant or rearing posture, the tail, which is prolonged till it touches the ground, appears to form a point d'appui, and gives the firmness of a tripod to the figure, without which it would be difficult to conceive, placed as the feet are, how the courser could maintain his ground without tumbling backwards. This bold conception has fortunately fallen into the custody of one by whom it is duly valued; for, when ****, in his more advanced state of proficiency, became dubious of the propriety of so daring a deviation to execute a picture of the publican himself in exchange for this juvenile production, the courteous offer was declined by his judicious employer, who had observed, it seems, that when his ale failed to do its duty in conciliating his guests, one glance at his sign was sure to put them in good humour.
It would be foreign to my present purpose to trace the steps by which **** Tinto improved his touch, and corrected, by the rules of art, the luxuriance of a fervid imagination. The scales fell from his eyes on viewing the sketches of a contemporary, the Scottish Teniers, as Wilkie has been deservedly styled. He threw down the brush. took up the crayons, and, amid hunger and toil, and suspense and uncertainty, pursued the path of his profession under better auspices than those of his original master. Still the first rude emanations of his genius, like the nursery rhymes of Pope, could these be recovered, will be dear to the companions of **** Tinto's youth. There is a tankard and gridiron painted over the door of an obscure change-house in the Back Wynd of Gandercleugh----But I feel I must tear myself from the subject, or dwell on it too long.
Amid his wants and struggles, **** Tinto had recourse, like his brethren, to levying that tax upon the vanity of mankind which he could not extract from their taste and liberality--on a word, he painted portraits. It was in this more advanced state of proficiency, when **** had soared above his original line of business, and highly disdained any allusion to it, that, after having been estranged for several years, we again met in the village of Gandercleugh, I holding my present situation, and **** painting copies of the human face divine at a guinea per head.
This was a small premium, yet, in the first burst of business, it more than sufficed for all ****'s moderate wants; so that he occupied an apartment at the Wallace Inn, cracked his jest with impunity even upon mine host himself, and lived in respect and observance with the chambermaid, hostler, and waiter.
Those halcyon days were too serene to last long. When his honour the Laird of Gandercleugh, with his wife and three daughters, the minister, the gauger, mine esteemed patron Mr.
Jedediah Cleishbotham, and some round dozen of the feuars and farmers, had been consigned to immortality by Tinto's brush, custom began to slacken, and it was impossible to wring more than crowns and half-crowns from the hard hands of the peasants whose ambition led them to ****'s painting-room.
Still, though the horizon was overclouded, no storm for some time ensued. Mine host had Christian faith with a lodger who had been a good paymaster as long as he had the means. And from a portrait of our landlord himself, grouped with his wife and daughters, in the style of Rubens, which suddenly appeared in the best parlour, it was evident that **** had found some mode of bartering art for the necessaries of life.
