RAINA (laughing and sitting down again). Yes, I was only a prosaic little coward. Oh, to think that it was all true--that Sergius is just as splendid and noble as he looks--that the world is really a glorious world for women who can see its glory and men who can act its romance! What happiness! what unspeakable fulfilment! Ah! (She throws herself on her knees beside her mother and flings her arms passionately round her.
They are interrupted by the entry of Louka, a handsome, proud girl in a pretty Bulgarian peasant's dress with double apron, so defiant that her servility to Raina is almost insolent. She is afraid of Catherine, but even with her goes as far as she dares.
She is just now excited like the others; but she has no sympathy for Raina's raptures and looks contemptuously at the ecstasies of the two before she addresses them.)LOUKA. If you please, madam, all the windows are to be closed and the shutters made fast. They say there may be shooting in the streets. (Raina and Catherine rise together, alarmed.) The Servians are being chased right back through the pass; and they say they may run into the town. Our cavalry will be after them;and our people will be ready for them you may be sure, now that they are running away. (She goes out on the balcony and pulls the outside shutters to; then steps back into the room.)RAINA. I wish our people were not so cruel. What glory is there in killing wretched fugitives?
CATHERINE (business-like, her housekeeping instincts aroused).
I must see that everything is made safe downstairs.
RAINA (to Louka). Leave the shutters so that I can just close them if I hear any noise.
CATHERINE (authoritatively, turning on her way to the door).
Oh, no, dear, you must keep them fastened. You would be sure to drop off to sleep and leave them open. Make them fast, Louka.
LOUKA. Yes, madam. (She fastens them.)
RAINA. Don't be anxious about me. The moment I hear a shot, Ishall blow out the candles and roll myself up in bed with my ears well covered.
CATHERINE. Quite the wisest thing you can do, my love.
Good-night.
RAINA. Good-night. (They kiss one another, and Raina's emotion comes back for a moment.) Wish me joy of the happiest night of my life--if only there are no fugitives.
CATHERINE. Go to bed, dear; and don't think of them. (She goes out.)LOUKA (secretly, to Raina). If you would like the shutters open, just give them a push like this. (She pushes them: they open: she pulls them to again.) One of them ought to be bolted at the bottom; but the bolt's gone.
RAINA (with dignity, reproving her). Thanks, Louka; but we must do what we are told. (Louka makes a grimace.) Good-night.
LOUKA (carelessly). Good-night. (She goes out, swaggering.)(Raina, left alone, goes to the chest of drawers, and adores the portrait there with feelings that are beyond all expression. She does not kiss it or press it to her breast, or shew it any mark of bodily affection; but she takes it in her hands and elevates it like a priestess.)RAINA (looking up at the picture with worship.) Oh, I shall never be unworthy of you any more, my hero--never, never, never.
(She replaces it reverently, and selects a novel from the little pile of books. She turns over the leaves dreamily; finds her page; turns the book inside out at it; and then, with a happy sigh, gets into bed and prepares to read herself to sleep. But before abandoning herself to fiction, she raises her eyes once more, thinking of the blessed reality and murmurs)My hero! my hero!
(A distant shot breaks the quiet of the night outside. She starts, listening; and two more shots, much nearer, follow, startling her so that she scrambles out of bed, and hastily blows out the candle on the chest of drawers. Then, putting her fingers in her ears, she runs to the dressing-table and blows out the light there, and hurries back to bed. The room is now in darkness:
nothing is visible but the glimmer of the light in the pierced ball before the image, and the starlight seen through the slits at the top of the shutters. The firing breaks out again: there is a startling fusillade quite close at hand. Whilst it is still echoing, the shutters disappear, pulled open from without, and for an instant the rectangle of snowy starlight flashes out with the figure of a man in black upon it. The shutters close immediately and the room is dark again. But the silence is now broken by the sound of panting.
Then there is a scrape; and the flame of a match is seen in the middle of the room.)RAINA (crouching on the bed). Who's there? (The match is out instantly.) Who's there? Who is that?
A MAN'S VOICE (in the darkness, subduedly, but threateningly).
Sh--sh! Don't call out or you'll be shot. Be good; and no harm will happen to you. (She is heard leaving her bed, and ****** for the door.) Take care, there's no use in trying to run away.
Remember, if you raise your voice my pistol will go off.
(Commandingly.) Strike a light and let me see you. Do you hear?
