WHEN I was at Grand Cairo I picked up several Oriental manus, which I have still by me. Among others, I met with one entitled "The Visions of Mirza," which I have read over with great pleasure. I intend to give it to the public when I have no other entertainment for them; and shall begin with the first vision, which I have translated word for word as follows:-"On the fifth lay of the moon, which, according to thecustom of my forefathers, I always keep holy, after having washed myself and offered up my morning devotions, I ascended the high hills of Bagdat, in order to pass the rest of the day in meditation and prayer. As I was here airing myself on the tops of the mountains, I fell into a profound contemplation on the vanity of human life; and passing from one thought to another, "Surely," said I, "man is but a shadow, and life a dream."
"Whilst I was thus musing, I cast mine eyes towards the summit of a rock that was not far from me, where I discovered one in the habit of a shepherd, with a little musical instrument in his hand. As I looked upon him. he applied it to his lips and began to play upon it. The sound of it was exceeding sweet, and wrought into a variety of tunes that were inexpressibly melodious, and altogether different from anything I had ever heard. They put me in mind of those heavenly airs that are played to the departed souls of good men upon their firstarrival in Paradise, to wear out the impressions of their last agonies, and qualify them for the pleasures of that happy place. My heart melted away in secret raptures.
"I had often been told that the rock before me was the haunt of a Genius, and that several who had passed by it had been entertained with music; but I had never heard that the musician had before made himself visible. When, by those transporting airs which he played, he had raised my thoughts to taste the pleasures of his conversation, I looked upon him like one astonished. Thereupon he beckoned to me, and directed me by the waving of his hand to approach the place where he sat.
"I drew near with that reverence which is due to a superior nature; and as my heart was entirely subdued by the captivating strains I had heard, I fell down at his feet and wept. The Genius smiled upon me with a look of compassion and affability that familiarized him to my imagination, and at once dispelled all the fears and apprehensions with which I approached him. He lifted me from the ground, and taking me by the hand, "Mirza," said he, "I have heard thee in thy soliloquies; follow me."
"He then led me to the highest pinnacle of the rock, and placing me on the top of it, "Cast thine eyes eastward," said he, "and tell me what thou seest." "I see," said I, "a huge valley, and a prodigious tide of water rolling through it." "The valley that thou seest," said he, "is the Vale of the Misery; and the tide of water that thou seest is part of the great tide of Eternity." "What is the reason," said I,"that the tide I see rises out of a thick mist at the one end,and again loses itself in a thick mist at the other?" "What thou seest," said he, "is that portion of Eternity which is called Time, measured out by the sun, and reaching from the beginning of the world to its consummation.
" "Examine now," continued he, "this sea that is bounded with darkness at both ends, and tell me what thou discoverest in it." "I see a bridge," said I, "standing in the midst of the tide." "The bridge thou seest," said he, "is Human Life; consider it attentively." Upon a more leisurely survey of it, I found that it consisted of threescore and ten entire arches, with several broken arches, which, added to those that were entire, made up the number to about one hundred. As I was counting the arches, the Genius told me that this bridge had consisted at first of a thousand arches, but that a great flood had swept away the rest, and left the bridge in the ruinous condition in which I now beheld it.
" "But tell me further," said he, "what thou discoverest on it?" "I see multitudes of people passing over it," said I, "and a black cloud hanging on each end of it." As I looked more attentively, I saw several of the passengers dropping through the bridge into the great tide that flowed underneath it; and, upon further examination, perceived that there were innumerable trap-doorsthat lay concealed in the bridge, which the passengersno sooner trod upon than they fell through them into the tide, and immediately disappeared.
"These hidden pit-falls were set very thick at the entrance of the bridge, so that throngs of people no sooner broke through the cloud than many of them fell into them. They grew thinner towards the middle, but multiplied and lay closer together towards the end of the arches that were entire.
"There were, indeed, some persons, but their number was very small, that continued a kind of hobbling march on the broken arches; but they fell through one after another, being quite tired and spent with so long a walk.
"I passed some time in the contemplation of this wonderful structure and the great variety of objects which it present. My heart was filled with a deep melancholy to see several dropping unexpectedly, in the midst of mirth and jollity, and catching at everything that stood by them, to save themselves.
"Some were looking up towards the heavens in a thoughtful posture, and in the midst of a speculation stumbled, and fell out of sight. Multitudes were very busy in the pursuit of bubbles that glittered in their eyes and danced before them; but often when they thought themselves within the reach of them, their footing failed, and down they sank.
"In this confusion of objects, I obser ved many withscimitars in their hands,who ran to and fro upon the bridge,
thrusting several persons on trap-doors which did not seem to lie in their way, and which they might have escaped had they not been thus forced upon them.
"The Genius, seeing me indulge myself on this melancholy prospect, told me I had dwelt long enough upon it.
Take thine eyes off the bridge," said he, "and tell me if thou yet seest anything thou dost not comprehend?" Upon looking up, "What mean,"said I, "those great flights of birds that are perpetually hovering about the bridge, and settling upon it fromtime to time? I see vultures, harpies,ravens, cormorants, and,
among many other feathered creatures, several little winged boys, that perch in great numbers upon the middle arches." "These," said the Genius, "are Envy, Avarice, Superstition, Despair, Love, with the like cares and passions that infest human life."
"I here fetched a deep sigh. "Alas," said I, "man was made in vain! How is he given away to misery and mortality, tortured in life, and swallowed up in death!"
"The Genius, being moved with compassion towards me, bade me quit so uncomfortable a prospect. "Look no more, said he, "on man in the first stage of his existence, in his setting out for Eternity; but cast thine eye on that thick mist into which the tide bears the several generations of mortals that fall into it."
"I directed my sight as I was ordered and (whether or no the good Genius strengthened it with any supernatural force, or dissipated part of the mist that was before too thick for the eye to penetrate, I know not, but) I saw the valley opening at the further end, and spreading forth into an immense ocean, that had a huge rock of adamant running through the midst of it, and dividing it into two equal parts.
"The clouds still rested on one half of it, insomuch that I could discover nothing in it; but the other appeared to me a vast ocean planted with innumerable islands, that were covered with fruits and flowers, and interwoven with a thousand little shining seas that ran among them. I could see persons dressed in glorious habits, with garlands upon their heads, passing among the trees, lying down by the sides of fountains, or resting on beds of flowers; and I could hear a confused harmony of singing birds, falling waters, human voices, and musical instruments.
"Gladness grew in me upon the discovery of so delightful a scene. I wished for the wings of an eagle that I might fly away to those happy seats; but the Genius told me there was no passage to them except through the gates of Death, which I saw opening every moment upon the bridge.
" "The islands," said he, "that lie so fresh and green before thee, and with which the whole face of the ocean appears spotted as far as thou canst see, are more in number than thesands on the sea-shore. There are myriadsof islands behindthose which thou here discoverest, reaching further than thine eye, or even thine imagination, can extend itself. These are the mansions of good men after death, who, according to the degree and kinds of virtue in which they excelled, are distributed among these several islands, which abound with pleasures of different kinds and degrees, suitable to the relishes and perfections of those who are settled in them. Every island is a paradise accommodated to its respective inhabitants. Are not these, O Mirza! habitations worth contending for? Does life appear miserable, that gives thee opportunities of earning such a reward? Is death to be feared, that will convey thee to so happy an existence? Think not man was made in vain, who has such an eternity reserved for him."
"I gazed with inexpressible pleasure on these happy islands. At length I said, "Show me now, I beseech thee, the secrets that lie hid under those dark clouds which cover the ocean on the other side of the rock of adamant."
"The Genius making me no answer, I turned about to address myself to him a second time, but I found that he had left me. I then turned again to the vision which I had been so long contemplating; but instead of the rolling tide, the arched bridge, and the happy islands, I saw nothing but the long, hollow valley of Bagdat, with oxen, sheep, and camels grazing upon the sides of it."- JOSEPH ADDISONQUESTIONSWhat does this story profess to be? Where did the vision appear to Mirza? For what purpose had he gone there? On what was he reflecting? Who appeared to him? By what did he captivate him? Where did the Genius lead him? What did he show him? What did the valley represent? And the tide of water? Why was the tide enclosed between thick mists? What stood in the midst of the tide? What did the bridge represent? How many arches had it? Of how many had it at one time consisted? To what is this an allusion? What lay concealed in the bridge? Where were they set most thickly? What does this represent? How are very old persons represented in the vision? How, sudden deaths? How, the devastations of war? What was the meaning of the flights of birds about the bridge? How was the region of Eternity divided? Which part was Mirza not allowed to see? Of what did the other consist? what did the Genius say the islands were? What lessons was Mirza to draw from what he had seen?
