"You are right. A maid would look more respectable, but my servant is so clever and so faithful!"
"I can guess all his qualities, but he is not a fit servant for you."
The next day after dinner I left Marina getting ready for the theatre, and having put everything of value I possessed in my pocket, I took a carriage and proceeded to the Casino of Pomi. I felt confident of disabling the false count, and sent the carriage away.
I was conscious of being guilty of great folly in exposing my life with such an adversary. I might have broken my engagement with him without implicating my honour, but, the fact is that I felt well disposed for a fight, and as I was certainly in the right I thought the prospect of a duel very delightful. A visit to a dancer, a brute professing to be a nobleman, who insults her in my presence, who wants to kill her, who allows her to be carried off in his very teeth, and whose only opposition is to give me an appointment! It seemed to me that if I had failed to come, I should have given him the right to call me a coward.
The count had not yet arrived. I entered the coffee-room to wait for him. I met a good-looking Frenchman there, and I addressed him.
Being pleased with his conversation, I told him that I expected the arrival of a man, and that as my honour required that he should find me alone I would feel grateful if he would go away as soon as I saw the man approaching. A short time afterwards I saw my adversary coming along, but with a second. I then told the Frenchman that he would oblige me by remaining, and he accepted as readily as if I had invited him to a party of pleasure. The count came in with his follower, who was sporting a sword at least forty inches long, and had all the look of a cut-throat. I advanced towards the count, and said to him dryly,--
"You told me that you would come alone."
"My friend will not be in the way, as I only want to speak to you."
"If I had known that, I would not have gone out of my way. But do not let us be noisy, and let us go to some place where we can exchange a few words without being seen. Follow me."
I left the coffee-room with the young Frenchman, who, being well acquainted with the place, took me to the most favourable spot, and we waited there for the two other champions, who were walking slowly and talking together. When they were within ten paces I drew my sword and called upon my adversary to get ready. My Frenchman had already taken out his sword, but he kept it under his arm.
"Two to one!" exclaimed Celi.
"Send your friend away, and this gentleman will go likewise; at all events, your friend wears a sword, therefore we are two against two."
"Yes," said the Frenchman, "let us have a four-handed game."
"I do not cross swords with a dancer," said the cutthroat.
He had scarcely uttered those words when my friend, going up to him, told him that a dancer was certainly as good as a blackleg, and gave him a violent bow with the flat of his sword on the face. I followed his example with Celi, who began to beat a retreat, and said that he only wanted to tell me something, and that he would fight afterwards.
"Well, speak."
"You know me and I do not know you. Tell me who you are."
My only answer was to resume laying my sword upon the scoundrel, while the Frenchman was shewing the same dexterity upon the back of his companion, but the two cowards took to their heels, and there was nothing for us to do but to sheathe our weapons. Thus did the duel end in a manner even more amusing than Marina herself had anticipated.
My brave Frenchman was expecting someone at the casino. I left him after inviting him to supper for that evening after the opera. I
gave him; the name which I had assumed for my journey and the address of my hotel.
I gave Marina a full description of the adventure.
"I will," she said, "amuse everybody at the theatre this evening with the story of your meeting. But that which pleases me most is that, if your second is really a dancer, he can be no other than M.
Baletti, who is engaged with me for the Mantua Theatre."
I stored all my valuables in my trunk again, and went to the opera, where I saw Baletti, who recognized me, and pointed me out to all his friends, to whom he was relating the adventure. He joined me after the performance, and accompanied me to the inn. Marina, who had already returned, came to my room as soon as she heard my voice, and I was amused at the surprise of the amiable Frenchman, when he saw the young artist with whom he had engaged to dance the comic parts.
Marina, although an excellent dancer, did not like the serious style.
Those two handsome adepts of Terpsichore had never met before, and they began an amorous warfare which made me enjoy my supper immensely, because, as he was a fellow artist, Marina assumed towards Baletti a tone well adapted to the circumstances, and very different to her usual manner with other men. She shone with wit and beauty that evening, and was in an excellent temper, for she had been much applauded by the public, the true version of the Celi business being already well known.
The theatre was to be open only for ten more nights, and as Marina wished to leave Milan immediately after the last performance, we decided on travelling together. In the mean time, I invited Baletti (it was an Italian name which he had adopted for the stage) to be our guest during the remainder of our stay in Milan. The friendship between us had a great influence upon all the subsequent events of my life, as the reader will see in these Memoirs. He had great talent as a dancer, but that was the least of his excellent qualities. He was honest, his feelings were noble, he had studied much, and he had received the best education that could be given in those days in France to a nobleman.
On the third day I saw plainly that Marina wished to make a conquest of her colleague, and feeling what great advantage might accrue to her from it I resolved on helping her. She had a post-chaise for two persons, and I easily persuaded her to take Baletti with her, saying that I wished to arrive alone in Mantua for several reasons which I
